ŶŮŢŨŢŻŪůŦġŪŴŴŶŦġljĸ Ķı #e Renaissance canon is rife with characters who try to seduce each other with music, be it welcome or unwelcome. In Cymbeline, Cloten hires musicians to seduce a lady with music a$er he has been told to ‘give [the lady] music a mornings, they say it will penetrate’ (2.3.1112). He instructs the musicians to tune their musical instruments and encourages them so: ‘if you can penetrate her with your "ngering, so: we’ll try with tongue too’ (2.3.13-14). In Cloten’s dictionary, good music is music that penetrates: ‘if this penetrate, I will consider your music the better’ (2.3.27-8). It is not uncommon for crass characters like Cloten to equate music-making and singing with sexual behaviours. Ϡে၃௱রጄሃྑ ѽфᓐ的 ڗ ᢜతៈह෩ ڭ Ꭲ。ћᒸง的֯ ࡡКգ࢝Ժႏᄦӡরጄєስ ־Ϡ的 ， ֒ڎ ഺᇌєስ的ᕚፅգ࣏ᠦѳϯЕ， գ ࡋ ࣏ϘϘ۶、 ی සఐ。ԴȮ ڙ Ө ޒ ȯК，ֹ ःჲᄌϞϘরጄਛ，ԋᄦӡরጄҝєስϘԩЃ Є，ԯऎգϠႬҁ࢙៉ Ȉȶऎႍ ЃЄឥϯጄ，ᑂ ሲরጄ ۍ գ् ϧ。ȷҁ ח ۳রጄਛऎጄᐡᎠর， ๒ࢢᄁᔽҁেȈȶՂ ְލ েକӡјࢽ෧ϢՁ， ڤ Й ϵႏႏӡ֎ᔝ。ȷԴֹ ःჲऻ ，ڽ Ҫգ ۍ գȶ् ϧȷ的রጄЖ࣏Հরጄ。ӡҁ的႖ሲ，ȶՂ ְލ ে的রጄକׄ ا ґ෧ϢՁ， ྻا ሮऎְ ে的রጄ ࣏Հরጄ。ȷġֹ ःჲ࣏ৎೖ࠸ ， ֒ڎ ഺዹ的 ֒ڎ রጄሃ ֖ݑ ऎᄑϯຈၳ ڭ Йҍ܈。̵̓ ښ ਇ᜶ভྖ 的时ϋׯൡ ŕũŦźġŴŪůŨġŸũŦůġŵũŦźġŸŢůŵġŴŦŹ Autolycus, a con artist in #e Winter’s Tale, is possibly the most lovable Shakespearean rogue. His primary purpose is to serve as a musical icon that transitions the play from a bleak Sicilia and into a cheerful Bohemia. Earning his living by ‘silly cheat’ (4.3.28), Autolycus sings when he picks and cuts ‘festival purses’ (4.4.614-15); he sings when he hawks his trinkets from village to village; and, more importantly, he sells his songs. Autolycus ‘sings several tunes faster than [one can] tell money’ and ‘utters them as [if] he had eaten ballads’ (4.4.185-7). Ȯҋч的ࣇ ڰ ȯК的Єገ՛׀ҙҞକ࣏ነК ൵Ϡඈᡌ的Ϙৎ๑ᓥ。ഺৎ ֒ڎ 的ѹঋ֯ ӡ࣏ӡ ᆇਣነӎం ܝ ᑾଣ的֘֘ ڧ Ⴥอۖ ল ܢ Ϡ 的ޯؓ ռ 。ڲ ገ՛׀ҙᏫЈஏЈᅤ۶ᓿऎӠ， ҁԴြџ的໖ᔝ൷֖ Ϡ的ᓿҒᆇ，Դ م ஔ ழЈჹࡡϵᆇ。 ـ ທ的࣏，ҁЙ֭ ᆇ，փѷ Ꮁᆇ。ҁᆇ的ി࢘ȶ أ Ⴥዴᓿȷ，༟Ͼ，݂ ȶЏѵ༡ᆇաᆽ՜ᡃКȷ。̵̓ ښ ਇ᜶ᨑ的时ϋׯൡ ŕũŦźġŴŪůŨġŸũŦůġŵũŦźġ ŸŢůŵġŮŰůŦź 㧄༡∊Ӕ最↗的ቅч့ ᓿ·㛥Ფδ:LOOLDP .HPSH，160 年ৱьε William Kempe (died in ca.1603) --Shakespeare’ s favourite clown (https://www.biography.com/people/william-kempe-936251 4)
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